I listened to the original Frankenstein by Mary Shelley on Audible. It was interesting.
After discovering the “epistolary novel” in Who Was Jane Austen? Sorting Fact from Fiction, I was eager to read one of the classics for an example of one. Frankenstein is told through the narrator Robert Walton, a sea captain on an Arctic expedition. The introduction of the novel is a series of letters Walton writes to his sister. The rest of the novel is a novel that Walton writes for his sister, relating the story Frankenstein tells him, the story Frankenstein’s monster tells him, and Walton’s own experiences of the two.
In some ways, Frankenstein seems like a deeply flawed novel, at least by modern standards. Arguably, Walton is discardable, and his presence negates the need for Frankenstein and his monster to ever interact or make peace with one another by telling each other their story. Walton serves as the link to reader in telling the two stories.
The melodramatic writing could also be seen as a problem. Today, melodramatic writing is mocked and discouraged, but Victor isn’t shy about telling the reader/Walton repeatedly how dearly he loves his dear friend Henry and his dear childhood friend Elizabeth and how wretched he is without them. His monster is equally verbose is recounting his wretchedness. Both of them go into detail about how pitiable they are, Victor suffering from mental breakdowns and the deaths of his closest friends and family and the monster lamenting what an outcast he is. While Frankenstein (2025) suggests that Victor is the asshole playing the victim, both of them put on quite the pity party for themselves in the book. Walton himself also tells his sister repeatedly how much he pities Victor and wants to help him. The book ends with Victor dying and the monster proclaiming he will burn himself to death on a pyre. It’s such a bleak book with such a bleak ending it’s laughable.
Perhaps its flaws are why Frankenstein has been adapted so many times and in so many different ways. When I think of “Frankenstein,” I think of the image of Victor screaming with maniacal enthusiasm, “It’s alive!” something I can’t imagine the Victor in the book ever doing. Mary Shelley never even says that electricity resurrected the monster, but that’s primarily how adaptations portray it. To name some other changes adaptations have made
- Frankenstein is a mad scientist and the bad guy.
- The monster is a mindless beast and the bad guy.
- Frankenstein actually creates a bride for the monster.
- The monster falls in love with Elizabeth.
- Robert Walton is discarded as a narrator.
- The monster is called Frankenstein.
It’s as if everyone who made an adaptation of Frankenstein saw the seed of a great idea but poorly executed and proceeded to bring what they saw to light. It’s kind of amazing how many different great ideas people imagined from the same source material.